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Rating Title | Year Author Quote
Sparks (2026) Hoai-Tran Bui A charming and whimsical queer coming-of-age movie, Sparks is steeped in a dreaminess that feels fitting for its cast of daydreamers.
Posted Mar 28, 2026  Edit critic review
The Saviors (2026) Hoai-Tran Bui A disappointingly backward and staid approach to a story that begins with such promise, only to — ahem — blow it all up too late.
Posted Mar 28, 2026  Edit critic review
Anima (2026) Hoai-Tran Bui It’s an aimless sci-fi drama whose stakes are as thinly sketched out as its characters.
Posted Mar 28, 2026  Edit critic review
The Fox (2026) Lyvie Scott An absurdly funny, unforgettable fairytale farce.
Posted Mar 28, 2026  Edit critic review
Obsession (2025) Lyvie Scott As a series of gross-out gags, Obsession is a worthwhile debut — but after the adrenaline wore off, I found myself wishing for more substance.
Posted Mar 28, 2026  Edit critic review
Wishful Thinking (2026) Lyvie Scott It’s rare to find a film that’s equal parts sci-fi and romance, but Wishful Thinking splits the difference with a dash of neurotic humor and bittersweet drama.
Posted Mar 28, 2026  Edit critic review
Forbidden Fruits (2026) Katie Rife Smartly cast with an ensemble of up-and-coming young actors who deliver the bitchy comedic dialogue like they wrote it themselves, Forbidden Fruits is very much of our current moment.
Posted Mar 28, 2026  Edit critic review
Hokum (2026) Hoai-Tran Bui What’s most remarkable about Hokum is that it’s not doing anything especially novel or innovative within the confines of the genre; instead, it’s simply a showcase for how a well-crafted, rock-solid ghost movie can still petrify you beyond belief.
Posted Mar 28, 2026  Edit critic review
Chime (2024) Siddhant Adlakha Sometimes what’s scariest is a lack of certainty, and in [Kurosawa's] short feature about a ringing sound that imbues people with violent tendencies, the question of "why" is an endless journey with no clear destination.
Posted Mar 27, 2026  Edit critic review
They Will Kill You (2026) Lyvie Scott The fun and games here may be the best we’ll see all year, but it also has the heart to back it up, whatever its flaws otherwise.
Posted Mar 26, 2026  Edit critic review
Peaky Blinders: The Immortal Man (2026) Dais Johnston While the tone is bleak and grey as the Birmingham smog, this story is a masterclass in how to define a show’s legacy.
Posted Mar 21, 2026  Edit critic review
Over Your Dead Body (2026) Hoai-Tran Bui Over Your Dead Body is caught between Taccone’s goofier comedic stylings and the dark, brutal turn that the story takes. The result is a tonally unbalanced and mismatched movie that never quite earns its brutality.
Posted Mar 21, 2026  Edit critic review
Normal (2025) Hoai-Tran Bui Just above-average, thanks to Odenkirk’s action hero bonafides and Wheatley’s punchy and propulsive direction.
Posted Mar 21, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) Hoai-Tran Bui If there’s a movie that could embody the word "zany," it’s Mike & Nick & Nick & Alice, a madcap time-travel romp that blows the lid off the sci-fi action comedy.
Posted Mar 21, 2026  Edit critic review
I Love Boosters (2026) Lyvie Scott As an exercise in radical empathy, it’s masterful — and it has the guts to look good doing it, too.
Posted Mar 16, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) Lyvie Scott Sure, this game hasn’t changed much, but with double the players comes double the carnage and, naturally, more delirious charm.
Posted Mar 16, 2026  Edit critic review
undertone (2025) Hoai-Tran Bui A terrifying new thriller for the internet age, one that will stay under your skin long after the credits roll.
Posted Mar 16, 2026  Edit critic review
RoboCop 3 (1993) Ryan Britt The problem with this movie was that it misunderstood its audience, and pivoted to the mainstream in the hopes of getting more money.
Posted Mar 14, 2026  Edit critic review
Project Hail Mary (2026) Hoai-Tran Bui A spectacular and spectacularly moving sci-fi blockbuster that occasionally struggles under its big ideas, but is saved by the sheer star power of Ryan Gosling and his adorable alien friend.
Posted Mar 10, 2026  Edit critic review
THE BRIDE! (2026) Hoai-Tran Bui It wants so desperately to be novel and provocative, that it forgets to offer anything of substance.
Posted Mar 04, 2026  Edit critic review
Hoppers (2026) Lyvie Scott Hoppers is a melting pot of heartfelt environmentalist cartoons and gutsy science fiction.
Posted Mar 02, 2026  Edit critic review
Scream 7 (2026) Siddhant Adlakha Despite clocking in at under two hours, Scream 7 feels far too long, and plays out sans intensity or rhythm, let alone a rhyme or reason to prolong the series’ life after 30 years
Posted Feb 26, 2026  Edit critic review
How to Make a Killing (2026) Hoai-Tran Bui Torn between being the blackest of black comedies or a satire with a soul. it elects to be both, and dulls the sharp edges of its blackly comic premise. But thanks to Glen Powell’s charms...How to Make a Killing manages to mostly get away with murder.
Posted Feb 19, 2026  Edit critic review
Crime 101 (2026) Lyvie Scott A sense of perpetual motion elevates this relatively basic story, inspired by Don Winslow’s 2020 novella of the same name, into something marginally diverting.
Posted Feb 19, 2026  Edit critic review
THX 1138 (1971) Alex Welch The film is a reminder of just how capable Lucas has always been at creating unique and instantly iconic visual imagery.
Posted Feb 19, 2026  Edit critic review
Wuthering Heights (2026) Lyvie Scott The film is great fun when it’s brave enough to thumb its nose at the gothic and the erotic, exploring its dark themes with feral, winking wit. But it also wants to shoot for soapy, sweeping melodrama — and it realizes that far too late.
Posted Feb 09, 2026  Edit critic review
.5/5
The Strangers: Chapter 3 (2026) Matt Donato It’s so bad that Bertino should be able to sue for damages to The Strangers’ reputation.
Posted Feb 06, 2026  Edit critic review
zi (2026) Hoai-Tran Bui The film’s whisper of a plot and its spontaneous structure allows Kogonada to plumb the dreamy, existential cinematic depths that his films have always explored so well, making Zi feel like a welcome return to form.
Posted Feb 04, 2026  Edit critic review
The Gallerist (2026) Lyvie Scott The Gallerist is a lot of things: a campy, claustrophobic showcase, a vibes-based backstage dramedy... Its value is in the eye of the beholder, but it won’t serve to dismiss it outright.
Posted Feb 04, 2026  Edit critic review
Send Help (2026) Lyvie Scott It’s been 16 years since the director has delivered a straightforward horror, and he brings the full weight of his trademark, gonzo gore to bear here.
Posted Jan 26, 2026  Edit critic review
All You Need Is Kill (2025) Hoai-Tran Bui While All You Need Is Kill doesn’t reinvent the wheel when it comes to the time-loop thriller, or indeed even as an adaptation of Sakurazaka’s light novel, it still manages to feel fresh and new
Posted Jan 23, 2026  Edit critic review
28 Years Later: The Bone Temple (2026) Hoai-Tran Bui DaCosta’s grounded, clear-eyed approach unveils the script’s unnerving nihilism. 28 Years Later certainly touched on the cruelty that humans do to each other, but The Bone Temple shows in all its bloody glory the cruelty that was always lying in wait.
Posted Jan 13, 2026  Edit critic review
Stand by Me (1986) Ryan Britt Stand by Me remains a perfect King film.
Posted Jan 12, 2026  Edit critic review
Greenland 2: Migration (2026) Siddhant Adlakha Short movies are a mercy, but every once in a while you get a Greenland 2: Migration, which plays like a more thoughtful and meditative piece had been snipped within an inch of its life.
Posted Jan 09, 2026  Edit critic review
Primate (2025) Siddhant Adlakha Primate is a horror romp filled with some fun ideas thrown at the wall — many of which stick — and some other heavily dramatic ones that severely misfire. In other words: It’s January, so you could do a whole lot worse.
Posted Jan 09, 2026  Edit critic review
Anaconda (2025) Siddhant Adlakha The film is nearly devoid of laughs, seldom coheres in its straightforward action-thriller moments, and is also, on occasion, visually unpleasant in a way that favors home viewing.
Posted Dec 23, 2025  Edit critic review
Death Race 2000 (1975) Gayle Sequeira Ludicrously silly, yet sharply satirical.
Posted Dec 19, 2025  Edit critic review
King Kong (2005) Andrea Thompson Gleefully reveling in the three hour runtime, the 2005 King Kong builds up its human cast, giving each of them backstories and arcs that each of us get invested in, however unwilling we are in some cases.
Posted Dec 18, 2025  Edit critic review
Resurrection (2025) Hoai-Tran Bui Bi Gan has achieved something here that is worth experiencing — a feat of cinematic artistry.
Posted Dec 16, 2025  Edit critic review
Five Nights at Freddy's 2 (2025) Lyvie Scott A premise so thin and airless that it seems to be saying both everything and nothing.
Posted Dec 16, 2025  Edit critic review
Avatar: Fire and Ash (2025) Siddhant Adlakha It's bigger, longer, more unwieldy, more sentimental, and more problematic with a capital "P." But in its grandest moments, it’s more emotionally affecting than anything Cameron has made before.
Posted Dec 16, 2025  Edit critic review
The Abyss (1989) Ryan Britt The Abyss is a humbler kind of Cameron movie, and it’s aged well.
Posted Dec 05, 2025  Edit critic review
Marty Supreme (2025) Hoai-Tran Bui A manic, madcap odyssey that is as exhilarating as it is exhausting, Marty Supreme is operating on a level of ballsy absurdity that no other movie this year can dream of touching.
Posted Dec 01, 2025  Edit critic review
Troll 2 (2025) Dais Johnston A rollicking good time, a completely fresh take on the monster movie that definitely has the potential to become one of Netflix’s most impressive imports.
Posted Dec 01, 2025  Edit critic review
The Secret Agent (2025) Hoai-Tran Bui Anchored by a magnificent Wagner Moura, who delivers one of the knottiest, most complex lead performances of the year, The Secret Agent sneaks up on you — not by virtue of any shocking twists, but simply by how it refuses to be just one thing.
Posted Nov 26, 2025  Edit critic review
Sisu: Road to Revenge (2025) Lex Briscuso Road to Revenge is non-stop action fueled by revenge and redemption, led by a hero who finds an insatiable will to survive in the face of unbeatable odds — and it’s a story that we can’t help but be completely immersed in.
Posted Nov 22, 2025  Edit critic review
Wicked: For Good (2025) Lyvie Scott There’s not much higher to go once you’ve defied gravity, but Erivo, Grande, and Chu at least give the characters and this world a soft landing.
Posted Nov 18, 2025  Edit critic review
Keeper (2025) Siddhant Adlakha Is it a valiant attempt? Perhaps, but so was the Hindenburg.
Posted Nov 16, 2025  Edit critic review
The Running Man (2025) Ryan Britt Thankfully, Powell’s charm is part of what carries things through, but there’s something else The Running Man has going for it: a simple, yet horrifying premise, executed with precision, and just enough outrageous twists to keep you guessing.
Posted Nov 11, 2025  Edit critic review
Now You See Me: Now You Don't (2025) Lyvie Scott It’s just as corny, far-fetched, and chaotic as the films that precede it, with a dizzying plot that makes less sense the more you think about it. But those who found anything to love in this franchise before know not to analyze this caper too closely.
Posted Nov 11, 2025  Edit critic review
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