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They Will Kill You
(2026)
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Todd Jorgenson
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Consistently creepy and almost cartoonishly intense, it’s a series of progressively outrageous confrontations that showcase some invigorating fight choreography and stylish visual gimmickry, but provide little substance beneath the surface spectacle.
Posted Mar 28, 2026
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Mike & Nick & Nick & Alice
(2026)
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Todd Jorgenson
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Emphasizing chaos over coherence, this genre hybrid succeeds better as a quirky buddy comedy than a crime thriller, bolstered by a science-fiction twist that distinguishes it from its formulaic trappings.
Posted Mar 28, 2026
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The Saviors
(2026)
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Todd Jorgenson
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Intriguing character dynamics drive this uneven satire that offers a compelling probe of communication barriers and subconscious biases, although the tension remains muted.
Posted Mar 28, 2026
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DreamQuil
(2026)
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Todd Jorgenson
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The thematic ambitions are muddled by chilly storytelling in this stylish science-fiction cautionary thriller about technology infringing upon human connection.
Posted Mar 28, 2026
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Mr. Burton
(2025)
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Todd Jorgenson
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More of a tribute to the mentor than the protégé, the film is given emotional weight by the richly textured performances, resulting in an insightful if uneven probe of artistic inspiration and the creative process.
Posted Mar 28, 2026
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Yes
(2025)
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Todd Jorgenson
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The film’s bleak cynicism is balanced by exhilarating audacity as Lapid’s satirical vision is meticulously rendered.
Posted Mar 28, 2026
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You're Dating a Narcissist!
(2025)
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Todd Jorgenson
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With its characters not defined beyond the parameters of the one-joke premise, this mildly amusing romantic comedy lacks depth beyond some scattered laughs.
Posted Mar 28, 2026
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13 Days 13 Nights
(2025)
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Todd Jorgenson
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... lacks subtlety and nuance, yet still generates consistent suspense as the heightened stakes resonate across cultural and geographic boundaries.
Posted Mar 28, 2026
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A Magnificent Life
(2025)
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Todd Jorgenson
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The choppy narrative rarely matches the visual charms. Pagnol’s life might have been magnificent, but this salute is considerably less so.
Posted Mar 28, 2026
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Kontinental '25
(2025)
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Todd Jorgenson
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Darkly humorous and deeply provocative, this searing social satire carries a timely thematic relevance beneath its no-frills narrative structure.
Posted Mar 28, 2026
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Holy Days
(2026)
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Todd Jorgenson
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Even if some of the quirky mayhem feels forced, the esteemed cast keeps it amusing.
Posted Mar 28, 2026
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Forbidden Fruits
(2026)
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Todd Jorgenson
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The well-acted film generates some laughs while cleverly tweaking commercialism and superficiality, although there’s not much substance beneath the acerbic surface.
Posted Mar 28, 2026
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Alpha
(2025)
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Todd Jorgenson
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The bleakness and despair intensifies throughout this muddled psychological thriller, which maximizes discomfort with a harrowing setup that doesn’t substantially escalate the suspense or the emotional stakes.
Posted Mar 28, 2026
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Project Hail Mary
(2026)
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Todd Jorgenson
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Ryan Gosling’s fully committed performance galvanizes this science-fiction adventure, a throwback crowd-pleaser with humor and heart.
Posted Mar 20, 2026
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Tow
(2025)
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Todd Jorgenson
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... a compassionate true-life drama of blue-collar resilience against corporate greed and bureaucratic injustice that tugs at the heartstrings without turning heavy-handed.
Posted Mar 20, 2026
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The Well
(2025)
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Todd Jorgenson
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Depicting a near-future world where fresh water is a dwindling resource, the story runs dry in this bleak dystopian eco-drama, in which the lumbering pace yields muted emotional stakes.
Posted Mar 20, 2026
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Ready or Not 2: Here I Come
(2026)
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Todd Jorgenson
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Noteworthy more for its carnage than its cleverness, this follow-up lacks the freshness of its predecessor while falling into typical sequel trappings.
Posted Mar 20, 2026
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Miroirs No. 3
(2025)
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Todd Jorgenson
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A slight yet haunting tale of grief and parental instincts, this character-driven German chamber drama builds a steady sense of intrigue around its strained family dynamics.
Posted Mar 20, 2026
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Late Shift
(2025)
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Todd Jorgenson
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Despite some heavy-handed emotional swings down the stretch, the film mostly sidesteps contrivances in favor of intimate and unvarnished authenticity, galvanized by an expressive portrayal by Benesch.
Posted Mar 20, 2026
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Reminders of Him
(2026)
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Todd Jorgenson
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Straining for laughs and tears, it unfolds predictably without providing the same catharsis to audiences as it does for its characters.
Posted Mar 14, 2026
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undertone
(2025)
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Todd Jorgenson
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Technical achievement outweighs narrative proficiency in this unsettling yet hollow supernatural thriller, which amounts to an impressive experiment in sound design supporting a generic script.
Posted Mar 14, 2026
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Storm Rider: Legend of Hammerhead
(2026)
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Todd Jorgenson
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The ambition exceeds the grasp of this derivative thriller that borrows so liberally from other dystopian science-fiction sagas that you’d think it was a lampoon if it didn’t take itself so seriously.
Posted Mar 14, 2026
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Slanted
(2025)
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Todd Jorgenson
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Although it turns heavy-handed down the stretch, this sharply observed coming-of-age satire is a clever genre hybrid examining the immigrant experience with fresh relevance.
Posted Mar 14, 2026
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Saipan
(2025)
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Todd Jorgenson
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It might not provide much new insight for fans, but this retelling of the 2002 scandal that rocked the Irish national soccer team makes for a breezy and compelling time capsule.
Posted Mar 14, 2026
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Psycho Killer
(2026)
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Todd Jorgenson
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More concerned with amplifying serial-killer tropes than generating consistent suspense, this lurid cat-and-mouse thriller is dead on arrival.
Posted Mar 08, 2026
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Redux Redux
(2025)
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Todd Jorgenson
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The time-loop gimmick adds a layer of intrigue rather than frustration in this clever science-fiction thriller that keeps the pace lively to sustain its modest premise without turning overly convoluted.
Posted Mar 08, 2026
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THE BRIDE!
(2026)
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Todd Jorgenson
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Despite showcasing style and attitude to spare, the film doesn’t translate its bold vision into coherent execution. It's less than the sum of its stitched-together parts.
Posted Mar 06, 2026
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War Machine
(2026)
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Todd Jorgenson
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This testosterone-fueled throwback sci-fi action saga emphasizes brawn over brains while failing to cover any meaningful new territory.
Posted Mar 06, 2026
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Youngblood
(2025)
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Todd Jorgenson
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The game sequences are directed with gritty authenticity, although the script’s heartfelt intentions are compromised by final-act predictability.
Posted Mar 06, 2026
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Heel (The Good Boy)
(2025)
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Todd Jorgenson
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It’s intriguing to watch the scenario play out within its claustrophobic confines, although the film struggles to articulate what it all means or why we should care.
Posted Mar 06, 2026
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Protector
(2025)
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Todd Jorgenson
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Pretending to be a gritty examination of the horrors of human trafficking, this lackluster crime thriller instead just uses that backdrop for some assembly-line vigilante justice.
Posted Mar 06, 2026
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Pompei: Below the Clouds
(2025)
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Todd Jorgenson
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... alternates between comforting and unsettling as the deliberate pace yields a poetic, often powerful cumulative impact.
Posted Mar 06, 2026
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Dolly
(2025)
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Todd Jorgenson
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Many scenes are elongated to maximize the carnage without providing any suspense, psychological depth, or meaningful subtext. It’s just relentless brutality to satiate genre devotees.
Posted Mar 06, 2026
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André Is an Idiot
(2025)
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Todd Jorgenson
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... strikes a delicate emotional balance, both for Andre and for moviegoers, that makes it a powerful portrait.
Posted Mar 06, 2026
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In Cold Light
(2025)
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Todd Jorgenson
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Despite some stylish visual flourishes, the material offers more talk than action without anything new to say.
Posted Mar 06, 2026
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Undercard
(2025)
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Todd Jorgenson
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Strong performances fight against a pedestrian script in the latest underdog saga using boxing as a vehicle for redemption and reconciliation.
Posted Feb 27, 2026
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Operation Taco Gary's
(2024)
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Todd Jorgenson
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While you can admire its go-for-broke irreverence and even its goofy offbeat charms, this sketchy and sophomoric road-trip saga can’t sustain its comic momentum at feature length.
Posted Feb 27, 2026
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The Napa Boys
(2025)
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Todd Jorgenson
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Perhaps some heavy wine drinking would increase the enjoyment level of this loose collection of sophomoric gags that feels like one rambling inside joke. Some moviegoers might get it; others will find it excruciating.
Posted Feb 27, 2026
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Paul McCartney: Man on the Run
(2025)
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Todd Jorgenson
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... a treat for fans that’s consistently engrossing while mostly avoiding hagiography.
Posted Feb 27, 2026
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K-Pops!
(2024)
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Todd Jorgenson
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Despite a thoroughly formulaic narrative arc, this amusing semiautobiographical comedy carries a sweetness and goofy sincerity.
Posted Feb 27, 2026
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Idiotka
(2025)
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Todd Jorgenson
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More silly than substantial, this heartfelt yet predictable satire offers a lighthearted probe of intergenerational family dynamics and the elusive American Dream.
Posted Feb 27, 2026
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For Worse
(2025)
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Todd Jorgenson
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A first-rate ensemble cast propels this sharply observed comedy, which delightfully explores vulnerability and gender roles while balancing absurdity with heartfelt charm.
Posted Feb 27, 2026
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Dreams
(2025)
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Todd Jorgenson
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... yields urgency and avoids turning heavy-handed, even as it navigates logical gaps and stumbles through an unconvincing climax.
Posted Feb 27, 2026
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In the Blink of an Eye
(2026)
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Todd Jorgenson
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Its big ideas become muddled, and the uneven narrative momentum leaves it feeling more tedious than profound.
Posted Feb 27, 2026
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How to Make a Killing
(2026)
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Todd Jorgenson
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While it doesn’t take itself too seriously, this dark comedic thriller feels familiar rather than provocative in its morally ambiguous satire specifically targeting the 1 percent.
Posted Feb 20, 2026
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This Is Not a Test
(2025)
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Todd Jorgenson
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... an uneven coming-of-age horror saga in which the ambition surpasses the execution.
Posted Feb 20, 2026
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Midwinter Break
(2026)
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Todd Jorgenson
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Richly textured performances struggling to spark this examination of aging, devotion, and self-discovery that’s thoughtful yet forgettable.
Posted Feb 20, 2026
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Last Ride
(2026)
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Todd Jorgenson
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Rather than going overboard in maximizing the queasy discomfort, it evolves into a contemplative study of friendship, mortality, and childhood innocence that’s more slight than substantial.
Posted Feb 20, 2026
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Kokuho
(2025)
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Todd Jorgenson
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... deliberately paced yet visually striking and emotionally intense, bolstered by committed portrayals from the two leads.
Posted Feb 20, 2026
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The Dreadful
(2026)
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Todd Jorgenson
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Emphasizing atmosphere over plot, this slow-burning psychological thriller is too emotionally muted to generate any meaningful tension
Posted Feb 20, 2026
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