Rudy Valdez
Rudy Valdez's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Y2K (2024)
43%
EDIT
“Running just over 90 minutes, Y2K is silly and sweet enough to offer something for everyone to enjoy.” –
Willamette Week
Feb 28, 2026
Full Review
Good Boy (2025)
90%
EDIT
“Leonberg put all his trust in Indy to carry Good Boy for over an hour, and the pup’s facial expressions speak volumes the entire time.” –
Willamette Week
Feb 28, 2026
Full Review
Silent Night, Deadly Night (2025)
77%
EDIT
“Chapman’s kills and handsome mug are the gifts that keep giving for horror fans.” –
Willamette Week
Feb 28, 2026
Full Review
40 Acres (2024)
89%
EDIT
“Director R.T. Thorne and co-writer Glenn Taylor showcase a solidly crafted story about the terror of letting kids make mistakes and trusting others while the world falls apart.” –
Willamette Week
Jul 14, 2025
Full Review
Jurassic World Rebirth (2025)
50%
EDIT
“Edwards and Koepp overcome franchise fatigue to craft—yes, really—one of this year’s best adventures.” –
Willamette Week
Jul 3, 2025
Full Review
Happy Ending (2025)
EDIT
“Viewers get an exciting and bloody third act that will leave them wondering who makes it out alive. Happy Ending could be a paint-by-numbers tale of exploring sexual desires but elevates itself (pun intended) with a twist-filled night on the town. ” –
Willamette Week
Jun 30, 2025
Full Review
Bring Her Back (2025)
89%
EDIT
“It’s a film that opens in one direction but erratically changes lanes to chase another movie’s success rather than truly stand on its own.” –
Willamette Week
Jun 6, 2025
Full Review
Drop (2025)
83%
EDIT
“Even when occasionally frustrating character choices and an outlandish third act reveal that steps on the gas and plows through the momentum built up by the film’s cat and mouse game, Drop plays as a classic thriller with a modern digital twist.” –
Willamette Week
Apr 17, 2025
Full Review
Freaky Tales (2024)
75%
EDIT
“Boden and Fleck wrote a collection of interesting characters and gripping plots that audiences can invest in comfortably. ” –
Willamette Week
Apr 14, 2025
Full Review
Heart Eyes (2025)
78%
EDIT
“Director Josh Ruben seamlessly blends romcom and horror elements from Phillip Murphy, Michael Kennedy and Christopher Landon’s script, which fuses genres to ask “will they/won’t they” in two different ways.” –
Willamette Week
Feb 12, 2025
Full Review
The Damned (2024)
90%
EDIT
“Seeing Young lead the story as a woman amongst a group of 19th century men was believable and refreshing. Her determination to solve the mystery with as many of her crew making it out alive keeps viewers warm in a chilling thriller. ” –
Willamette Week
Jan 15, 2025
Full Review
Breakup Season (2024)
93%
EDIT
“Though this is technically a holiday film, Breakup Season really works at any time of year. ” –
Willamette Week
Dec 18, 2024
Full Review
Cellar Door (2024)
21%
EDIT
“Cellar Door might not have passed final inspection without its ending.” –
Willamette Week
Nov 20, 2024
Full Review
The Substance (2024)
89%
EDIT
“The Substance offers a smart depiction of the dark side of meeting the beauty standards created by the same industry producing the film.” –
Willamette Week
Sep 30, 2024
Full Review
The Front Room (2024)
40%
EDIT
“The Front Room was trumpeted as singer-actress Brandy’s return to horror, but even her star power can’t lift up this unsatisfying psychological thriller. ” –
Willamette Week
Sep 18, 2024
Full Review
No Reviews Yet
Load More
Something went wrong.. try again