Peppermint Candy

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treeart Z @RT18173845 4 days ago 把时间作为载体，但时间又是"拾"不起来的，这个影片给人一种悲伤的感觉 See more Steve C @RT19610513 Oct 1, 2026 About how and why a man lost his mind and turned his back on the love of his life. See more Rachel B @RT92629884 Oct 20, 2025 Actual animal abuse when he kicks a dog which you can see was actually done and not faked. The actor kicked an actual dog across the floor for this movie. It was incredibly boring up until that part too. So gross. And people still say it's a great movie and great director? See more Mar 10, 2022 The direction of this film is somewhat unique. The film consists of different chapters of the lead character’s life that lead him into disarray and become suicidal. See more Apr 28, 2019 I recently saw Chang-dong Lee's "Beoning" - a remarkable film. I have also seen "Milyang" that's a solid piece and I have heard great things about "Oasiseu". I believe this is one of his lesser known films, even if the man only have done six. A man kills himself. This is one of the first things that happen here. Then we see his life in a reverse linear narrative, divided into five pieces. Some stories are building on others, many of them of the first clip. We watch his growing struggles in a reverse order and it's a original and cool way of presentation. It's a bit long and a bit flat at times, even if the violence are both rather raw and often appearing. The subtitles seem very weak and that might have killed a fair bit of this film. The shooting is nice and I like the train shots that we get between stories. OK acting and overall a cool production with some hights when it comes to scenes. OK film, but nothing more. 6 out of 10 trains. See more nick s @NikitaSbt Apr 13, 2019 An established Korean novelist Lee Chang-dong came to the world of filmmaking quite late surprisingly shifting his career from writing plays and fiction. He released his debut film Green Fish in 1997 when he was 43 years old. This film has received wide acclaim and granted Lee Chang-dong a reputation of new influential Korean director. Peppermint Candy (2000) became the second feature-length film of Lee Chang-dong. A piercing tragedy in Peppermint Candy starts with the protagonist Yong-ho (portrayed by Sol Kyung-gu) committing suicide. The rest of the story is told in a reverse chronology disclosing the events of the character's past leading him to climb up the track and face the train in his suicide. The train track appears every time after new flashback of Yong-ho illustrating his way back in time. In his last moments of life, he couldn't stand it anymore. His traumatized mind was reluctant to deal with either present or future, as Yong-ho was now completely devastated. He gets a final release looking into the past as the train goes back in time, in order to revive the background of this emotional breakdown. The story of Yong-ho is told in connection with two main characters of his life. Sun-im (Moon So-ri) is the first love of Yong-ho he met 30 years ago. They met during a college trip, and she gave him a peppermint candy he really liked. She symbolizes the character's innocence and pure dreams of having a good future, becoming a photographer, loving a woman. Sun-im enters comatose in the first flashback prior to Yong-ho's suicide. Her last wish was to see him and to hand him a photo camera she has bought him many years ago. Encounter with Sun-im becomes the last drop in Yong-ho's breakdown. But in the other flashbacks, we see how their relationships developed, and how he has lost an emotional link with Sun-im and his innocence she symbolized. The second character employed to depict the character's tragedy is his wife Hong-ja (Kim Yeon-jin). In flashbacks, we see their marriage not working, and he never used to love Hong-ja or care about her. A flashback shows the time they met when Yong-ho's personality was already corrupted. Many years back he was pulling Hong-ja in front of loving Sun-im just to show the first love he has changed, and there is no way to be together. He marries Hong-ja just for the sake of marrying someone. It comes as no surprise, he ruins the life of Hong-ja traumatizing Sun-im earlier and himself. Flashbacks connect the tragedy and breakdown of Yong-ho with political events and social problems of South Korea. He's got drafted to the army in 1980 to perform mandatory military services for several years. Before that, he was just a teenager who had no intent to fight. He met Sun-im, and they fell in love. She's been sending him the peppermint candies to the military parts for months while he was dreaming to reunite with his love. However, it was just a dream. The army appeared to be very cruel, and Yong-ho was treated awfully there. Moreover, his unit was sent to quell The Gwangju Uprising in 1980. This day resulted in massacre and Yong-ho accidentally shot the innocent young girl dead. The country and military service have traumatized him this day giving a strat to the destruction of his personality. Later, we see Yong-ho becoming a police officer. He has a short temper, we see his personality becoming more violent as he tortures the student in the police office. He is not able to get over that day he killed a girl, and now he plots revenge to the world with his cruel methods of work. As time goes by, he becomes even more violent. He refuses to be kind and loving with Sun-im when they meet. Later, he would make one shy attempt to reunite with her, but it won't work. The next time he meets her is the time a few days prior to his own death. He brings peppermint candies to the hospital and talks to Sun-im who is unconscious in a coma. Few hours later, in anger, he sells the camera she left him. She has bought this camera many years ago knowing he wanted to be a photographer, but he refused to take it. Now he destroys from this camera the tape as he wants to have no memories of the past. He cannot get back his innocence as he can't be with Sun-im anymore. The photo camera, peppermint candies and train appear as the symbols of the protagonist's past several times. These symbols are very simple, as well as the whole story. Yet this clarity doesn't make it boring. The director shows this tragedy in a very simple way, but the film is very thought-provoking and deep. Lee Chang-dong demonstrates in this film both social issues of his country and violent political events of the Korean history. We see how dangerous and harmful these things could be on an example of Yong-ho. The breakdown has started when he simply went to the army, but then he would kill a girl, loose his love, torture people, destroy the life of his wife, scammed by the business partner. In the end of this tragedy, he would have nothing left but the memories of the photo camera and peppermint candy. The traumatic events of his past embed the character in the present he is not able to deal with. See more Read all reviews

Peppermint Candy

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